The Daguerreian Society

A short note from Gary:  I'm glad to be back!  I had a perfectly 
fabulous time at the 100th Boston Marathon. The weather was superb, the 
spectators were incredible in their support, and the runners (a very 
large number this year) all shared a sense of the history of the day.  I 
was privileged to be a part of it. And, of course, I did finish.

On this day (April 22) in the year 1839, the following news item 
appeared in the "Boston Daily Advertiser and Patriot":
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  The Daguerreotipe.  We have occasionally noticed the wonderful 
discovery of Mr. Daguerre, in Paris, by which he is enabled to convert 
the exact and vivid representations of the camera obscura, into a 
permanent picture.  We have been sorry to observe, in the recent London 
papers, a notice of the loss by Mr. Daguerre of his house by fire, 
together with his pictures, and the fruits of his scientific researches.  
These he will doubtless be able to restore, as his great secret is not 
lost.  It is to be hoped that the liberality of the French Government 
will enable him to make his discovery public, for the benefit of the 
world, and to secure it against the hazard of being lost.
  In the last number of the New York Observer, we find the following 
extract of a letter from Professor Morse, the ingenious inventor of the 
Magnetic Telegraph, in which some of the features of M. Daguerre's 
discovery are more distinctly described, than in any thing which we have 
before seen.  The letter is dated Paris, March 9.
  "A few days ago I addressed a note to Mr. D. requesting, as a 
stranger, the favor to see his results, and inviting him in turn to see 
my Telegraph.  I was politely invited to see them under these 
circumstances, for he had determined not to show them again, until the 
Chambers had passed definitely on a proposition for the Government to 
purchase the secret of the discovery, and make it public.  The day 
before yesterday, the 7th, I called on M. Daguerre, at his rooms in the 
Diorama, to see these admirable results.
  "They are produced on a metallic surface, the principal pieces about 7 
inches by 5, and they resemble aquatint engravings, for they are in 
simple chiaro oscuro, and not in colors.  But the exquisite minuteness 
of the delineation cannot be conceived.  No painting or engraving ever 
approached it.  For example: In a view up the street, a distant sign 
would be perceived, and the eye could just discern that there were lines 
of letters upon it, but so minute as not to be read with the naked eye.  
By the assistance of a powerful lens, which magnified 50 times, applied 
to the delineation, every letter was clearly and distinctly legible, and 
so also were the minutest breaks and lines in the walls of the 
buildings, and the pavements of the street.  The effect of the lens upon 
the picture was in a great degree like that of the telescope in nature.
  "Objects moving are not impressed.  The Boulevard, so constantly 
filled with a moving throng of pedestrians and carriages, was perfectly 
solitary, except an individual who was having his boots brushed.  His 
feet were compelled, of course, to be stationary for some time, one 
being on the box of the boot-black, and the other on the ground.  
Consequently, his boots and legs are well defined, but he is without 
body or head because these were in motion.
  "The impressions of interior views are Rembrandt perfected.  One of 
Mr. D.'s plates is an impression of a spider.  The spider was not bigger 
than the head of a large pin, but the image, magnified by the solar 
microscope to the size of the palm of the hand, having been impressed on 
the plate, and examined thro' a lens, was further magnified, and showed 
a minuteness of organization hitherto not seen to exist.  You perceive 
how this discovery, is, therefore, about to open a new field of research 
in the depths of microscopic nature.  We are soon to see if the minute 
has discoverable limits.  The naturalist is to have a new kingdom to 
explore, as much beyond the microscope as the microscope is beyond the 
naked eye.
  "But I am near the end of my paper, and I have unhappily to give a 
melancholy close to my account of this ingenious discovery.  M. Daguerre 
appointed yesterday at noon to see my telegraph.  He came, and passed 
more than an hour with me, expressing himself highly gratified at its 
operation.  But while he was thus employed, the great building of the 
Diorama, with his own house, all his beautiful works, his valuable notes 
and papers, the labor of years of experiment, were, unknown to him, at 
that moment becoming the prey of the flames.  His secret indeed is still 
safe with him, but the steps of his progress in the discovery, and his 
valuable researches in science are lost to the scientific world.  I 
learn that his Diorama was insured, but to what extent I know not.  I am 
sure all friends of science and improvement will unite in expressing the 
deepest sympathy in M. Daguerre's loss, and the sincere hope that such a 
liberal sum will be awarded him by his Government, as shall enable him 
in some degree at least, to recover from his loss."
   To the above the Observer adds,--
   In the same vessel which brought the above letter, the writer himself 
arrived.  From him we have received some additional information 
respecting this very interesting discovery, which we cannot at present 
communicate.  We have only room to say, that we are even more impressed 
with the value of the invention as a means of procuring, without labor 
or expense, perfect and satisfactory panoramas of all the most 
interesting places and scenery on the globe, and, if we apprehend its 
power correctly, perfect representations of the human countenance, than 
with its power to reveal the secrets of "microscopic nature."  With what 
delight will the eye dwell on the panoramas of Jerusalem, Thebes, 
Constantinople, Rome, and other cities of the old world, delineated with 
the unerring fidelity of the Daguerreotipe?  With what interest shall we 
visit the gallery of portraits of distinguished men of all countries, 
drawn not with man's feeble, false, and flattering pencil, but with the 
power and truth of light from heaven!  It may not be long before we 
shall witness in this city the exhibition of such panoramas and such 

(I wish to acknowlege the receipt of a large number of files from Mr. 
Chris Steele, of Boston, MA, who is gracious in sharing his research. 
Today's post is taken from his files.)
Posted for your enjoyment.      Gary W. Ewer       

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