Daguerreian Society

On this day (March 15) in the year 1889, the following article appeared 
in the "Photographic Times  and American Photographer" (Vol. XIX., No. 
391, page 130-1):
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  At your request I give you some of the practical experiences of an 
old veteran Daguerreotyper, some of which have not (to my knowledge) 
before been published, and, so far as I know, were only known and 
practised by myself.
  Much has been said and written about the slow Daguerreotype and long 
exposures required to make a fully exposed plate, and the wonderful 
improvement of the instantaneous dry-plate.  The following facts will 
show how much gain in rapidity the latter has made over the former.
  In the early summer of 1851 I made a series of views for "Harpers' 
Traveler's Guide" of all the towns between Galena and St. Paul that 
were then settled on the Mississippi, from the pilot-house of the 
steamer "Nominee" while under full head-way, that were just as sharp as 
if taken from a fixed point.  The pictures were taken on what we then 
called a half Daguerreotype plate.
  I had constructed a drop-shutter, the first and only one I had ever 
seen or heard of--had it made at a tin-shop--and practically the same 
as is now in use.  In the drop I made a slit half an inch wide, and 
extending entirely across the diameter of the lens.  The drop was 
accelerated in its fall by a stout rubber spring.  The lens was a "C C 
Harrison" single view.  When the boat was far enough away so that all 
the village was embraced in the plate it was at once put in place and 
the shutter released, the plate put away in a light-tight box, and not 
developed until I got back to Galena.
  How did I get the rapidity?  Simply by having a pure silver surface 
exposed to the right proportion of the fumes of iodine and bromine.  
And here was the secret.  Coating the plates two or three weeks 
beforehand and keeping in light and air-tight boxes!  The longer they 
were kept the more rapid they became!  When properly prepared, the time 
was reduced from minutes to seconds!
  The plates could be exposed and developed at any future time.  Many, 
both in and out of the profession, wondered at the soft and delicate 
detail both in shadow and high light, and roundness of the portraits I 
exhibited at the Crystal Palace in 1853, and tried in vain to equal.
  None of the pictures had received over five seconds' exposure!  Hence 
their lifelike pose and expression.
  Rapid or short exposures were also obtained by charging the plates 
with electricity generated by giving the plate for the last finish a 
brisk rubbing on a white silk-plush buff; but this was only effectual 
in a dry, warm atmosphere.  When thus treated I could get rapid plates 
about one-sixth the usual time, but unless the temperature and 
atmosphere was right the exposure was only retarded, so I had to 
abandon that as very uncertain.
                                                  A. Hesler.

Posted for your enjoyement.     Gary.W. Ewer     

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